What are you?
What are you doing?
What do you like?
What do you want to be?
Perfect questions, perfect answers.
Who are you?
What are you?
What are you doing?
What do you like?
What do you want to be?
Perfect questions, perfect answers.
Who are you?
The lull after the storm,
The calm after the chaos.
No more weathering the storm,
Or an endless despair for dry land.
No more, no more!!!
The last drops of paint are now dry.
No more sketches on my clean wall,
No more incorrigible writings on the walls.
Pure white, whitewashed white, snow white.
My forest, my man-made forest.
Trees now growing in line like boy scouts,
Growing and maturing faster, like soft woods are meant to.
Bye hardwoods, bye bye disorderly trees.
I won't miss you, you grew too slowly anyway.
But....
It is not the hope of dry land that made the voyage enjoyable,
Nor did it prove the sturdiness of the boat,
Neither the tenacity of the sailors.
The neat whitewashed wall denies me the vigour of youth,
The beauty of splattered colours.
There are no messages in the worst of handwritings,
That point to a moment in time.
No colour, no collage, no beauty, no memories.
It takes ages to grow hardwoods, centuries even.
Then they have no order, no symmetry, just grow wherever and whenever they feel like.
But that's what makes a forest beautiful.
The promise of calm,
The spotless white,
The symmetrical artificial creation.
These are things cowards long for.
Nothing that the strength of love can give.
If you leave me, kill me.
For I cannot enjoy these.
I would rather the harsh storm, the badly coloured wall, the order-free forest.
For no his-story came from sailors who hated the sea and loved dry land.
No clean wall could tell her-story.
No man-made forest told their-story:
A love-story.
Don't leave me, but if you do, kill me!!!
Mutton stew
From time to time, usually more often than not, the chefs made mutton stew. This one was for the exclusive taste of the chefs and their close friends. They usually made it from meat picked from dying sheep. Usually after the sheep had been lived beyond its usefulness in regards to wool shearing.
There was usually a wool shearing season. The wool shearer a.k.a the taxman was in charge of this process. There was no escaping the big man. He would look for you, find you and take his share. Part, or should I say most of it, conveniently got lost when his friends visited his shamba and his stores. The wool was meant to make clothes for the population to help them survive the cold season. And the nights too. The woollen clothes were to fit from top to bottom but as fate would have it, the material ran out faster than a Kenyan marathon athlete. All that was left for a majority of the population was just enough material to make scarves.
Sometimes the wool shearing extended beyond the season. The sheep were sometimes forced to trade it in for a bit of fertiliser for their pastureland when their self produced manure was not enough to make the land more productive. It was an illegal trade since hay was the currency of trade but sometimes, in Africa....
Sometimes, the chefs couldn't wait for the sheep to age and decided to slaughter them at their prime. At other times, there happened to be a deficiency in wool since the chefs had cut off pastureland meant for the lambs to make space to set up food stands to sell their soups. The flocks would die of hunger and thus the wool debt.
On this particular day, one of the chefs, the deputy of Half-century, happened to conveniently extend his food stand into the pastureland. Men noticed. The women and children too. There was going to be some noise this time round. So the big boys ordered us to take our rungus and shields to go confront the mass of demonstrators. They wanted to fight for the animal rights and my employer, Half-century was having none of it. Adults and children were going to demonstrate. What do children know about animal rights anyway? A lesson in teargas will teach them not to get involved next time!!
Animal rights my foot!!!!
On the morning of the incident, as I got into my anti-riot gear, I took my family's photo from my desk and had a good look at it. They are the reason I work everyday. My wife, my son and my daughter. All so beautiful. I usually did this as a ritual every morning before I started my day. Just to remind me, no matter how bad my job pays and makes me feel like trash, I had something to live for.
As I put the photo back onto my desk, I noticed a funny blur on the photo. I brought it closer and rubbed it with my fingertip to clear away the stain. Instead, the colour started fading and beneath the colour, a strange object began to reveal itself. First came the hooves.
I rubbed harder.
Then came 16 legs.
Four short tails.
Wool.
Round bodies.
Sheep. Four sheep. FOUR DAMN SHEEP!!!
MY FAMILY IS A FLOCK OF SHEEP!!!!
Aromat.
Everything is better with aromat.
The current system of serving food at the marketplace had grown stale. Men were tired of having to wait in line for their portion of omelette soup. It was usually on a first come first serve basis. However, the rules determining who came first were very amorphous. Too grey: a bit of black here and a bit of white there. Therefore, the cunningones and the strong ones always ended first. The shrewd ones too. Though the shrewd ones always got a bit of soup, whether they were in line or not. Their secret was very simple, make friends with the number ones after they had been served. That way, they wouldn't sleep hungry.
The luxury of sleeping on with an occupied stomach was not attainable to the majority. It was only a fantasy most could only dream of. The poor chaps would eat the bit they had been served that day (if lady luck shone on them) and make stories around campfires. Stories of hope and to some degree, delusion. The reality of "kukula ugali na stori ya nyama". Or in this case, stori ya omelette soup. They could almost even taste it with their tongues. But it was just that, almost!!
So they got dissatisfied with this arrangement and as with all dissatisfied men, grumbling followed. It started from their stomachs, their children's stomachs in particular and generated into moans and groans. A groan for a second liberation. They were tired of the omelette soup. At least they wanted a change in the diet. (Not the kind of diet slimming ladies want, but it could qualify since a majority were slimming and losing weight anyway). The winds of change had started blowing from the east.
The chefs came together. Interests had to be protected and viewers had to be entertained. The crowds needed more. More for their temporal gratification but not an eternal satisfaction.
"Aromat"
"What is that?"
"A detailed scheme of how we can make the best out of it without injuring our interests."
"Explain."
"Just create a cheap portion and tell people it is an elixir. Add it to the food and increase the rotten tomatoes of economic inequality to the recipe. They are in plenty anyway. More people from the middle class section of the line will have their fill and their ears will be too full of our advertising jingles to be able to hear properly the grumbles from the nether ends of the line."
"What shall our jingle proclaim?"
"Everything is better with Aromat."
And that is how the New Aromat Ordinance of Twenty-Centuries-and-One-Decade was born.
To the lofty, my truth is inaccessible.
To the humble, he will see it.
For the pride of Man denies him perception
And his knowledge, a barrier.
For a proud man is always looking down in spite,
And a humble man, his face lifted in prayer.
When he looks down, he has no view of that which is above
When he looks up, he sees only but just a spot,
A fraction of that which is eternal.
The higher you elevate man, the less his view of the sky.
The lower he descends, the wider his view.
The higher he goes, the more men he sees,
And vainly compares himself to them.
The lower he goes, the less of pride in men he sees,
And the greater the view of glory.
Higher up the ladder of pride,
Or lower the ladder of conceit he shall descend.
Either way, we are all somewhere along this climb.
Noses RuKia
The morphology of Blue Label to Half-century had already happened. It was quick and fast. Quite a swift change. One that caught the ignorant by surprise but again, put in a bit of flamboyance here and there and there you go!! A new word. Probably leaves the script writer feeling like Charles Dickens. In case you didn't know, we credit a couple of words to that walking dictionary. The only difference with the Half-century script writer is that they did not spice up the language. Though I must credit them with improving the visual appearance of the omelette and thereby psychologically improving the taste (in the eyes of the fans).
And in the midst of the script writing came forth Noses RuKia. Usually known as Nonsense RuKia but the first name was too long to pronounce. And we shortened it to our liking. Like the way we would say Jay for Josephine because we got tired of pronouncing the name in the middle of that vocal journey. Which reminds me, why do we get tired during our vocal journeys?
She killed.
She kille.
She kill
She kil
She ki
She k
She
She.....
She killed me with her looks.
So Noses RuKia. When Half-century promoted one of the chefs to chief chef, they made the mistake of employing that guy to be the cook. He was probably the worst act of them all. Noses couldn't try to pretend that he was fixing broken eggs or repairing rotten tomatoes. He on one hand wrapped the broken eggs in green paper, some 1000g heavy, some 500g heavy. Then plast them in eggshell like colours and lifted them up in the same manner Simba was lifted up in front of the wildlife on Pride Rock. The crowd of course went wild and was convinced that the eggs were repaired. Eggs of tribalism and hate.
So Noses was unskilled at this job. Or ignorant. Or just plain obtuse. I couldn't put a finger to it. Always forgetting that broken eggs needed good presentation and that broken eggs needed to be hidden. Unfortunately, for this brute, egg breaking was his speciality. And the Half-century crowd somehow loved it. Some hated it but for sure, he did stir still waters.
The tangerine crowd of course hated it.
There are nights,
Some shorter, some longer.
And this one, longer than I would like to remember,
For it is punitive for a man to experience an obsession once,
And forever dream of it,
But live in trepidation.
Embers of what once was,
A fire upon which melodies were refined,
And golden words came alive.
Where the cold was just but a rumour,
And the worries of the night far flung into Sheol.
That was when I met Her,
Hidden deep beneath the covers of lucidity.
She never showed her appearance in the day,
But in rare moments of darkness; on days like these, she came forth.
Draped only in splendour,
Dressed in odourful charm,
Footsteps so calm.
A gracefulness the beauty of the night could not match.
I couldn't hear her come,
Yet I knew she already was.
I couldn't see her, but I knew there in that moment;
There was none more beautiful.
A silent assault played on a minor key.
And yet, no refined orchestra could play a tune better.
"Come
Come with me."
*silence*
*tension*
She placed her chin on my neck,
And gently worked her hands on my tense muscles.
Working from the shoulder to the torso, lower back and slowly up again.
Till my mantle dropped, plumage and vainglory;
And all bulwarks undone.
"Come,
Come now, let us go...."
Disenthralled
Ecstasy
Rhapsody
Amorphous.
I could go on but I will not.
It would be wrong for a man to describe such delectations in one stroke.
Pleasures under the moonlight deserve no less than the finest in language.
So unfortunate that the Queen's language isn't enough.
To understate such feminine panache, I will not.
But I will give you her name
Delirious